Sensory Performance Practice Part One: Where We Are And Where We’re Not

I was extremely excited about this symposium. Entitled, “Sensorial Practices in Performing Arts for Babies and Neuro-diverse Audiences - A Critical Perspective”, it was run by Dalijia Acin Thelander and Ellie Griffiths...

Dialogue at the ASSITEJ Cradle of Creativity

This project has now ended. You can see all of the resulting posts (over 100 multimedia resources) here. Dialogue is proud to announce its partnership with ASSITEJ – the International Association of Theatre for Children...

“Never Stop Playing” at the ITYARN Conference

“It is our duty to help the children, they should grow seeing everybody in similar situations. This is our duty!” - Sindiwe Magona Sindiwe Magona, a South African Children’s Writer and Translator, shared her inspirational and motivating...
young@home by Hillbrow Theatre

Speaking in a Language that Transcends Borders

OBISIKE: It Takes A Lion’s Heart This performance, the result of an international collaboration between Germany and Nigeria, highlighted the similarities between cultures on the theme of women’s rights and questions of self-determination. Strips of paper...

Musical Theatre for Education

As a part of the Cradle of Creativity's Focus Day on Music Theatre for Young Audiences, Tina Stodart delivered a Pecha Kucha about her work in Potchefstroom, South Africa. In the following interview (6 minutes), she speaks about using...

A Braai at Magnet Theatre

Magnet Theatre's Full-Time Training and Job Creation Programme is a 2-year programme for “youth who for one reason or another struggle to be absorbed into the training at the University”. The programme aims “to bridge the divide...

Mary Ann Hunter: On wayfinding and a precarious politics of presence

Educators, artists, children, star-gazers. We/they/you trade in primacies of encounter and the arts of being present – to oneself, to others, and to belongings of practice, region, interest and culture. They/you/we revel in relationality, curiosity, affect, and...

Over the Top

“Over The Top, is an ANZAC play that presents a theatrical insight into the lives of nine young people who enlisted in WW1 in 1915 and explores the effect on their families left behind. The...

A Meeting of IIAN, the International Inclusive Arts Network

In a small theatre space on the fourth floor of the Kilden Performing Arts Centre, the venue hosting the ASSITEJ Artistic Gathering 2019, there is a group of wonderful people meeting together...
video

Reactions to Research on Trauma & Theatre for Young Audiences

Keep scrolling down for more about the papers at this session, which was presented at the conference of the International Theatre for Young Audiences Research Network (ITYARN) that took place in Kristiansand...