About Us

Performing Dialogue is the trading name of Dialogue Community Performance, a Non-Profit Limited by Guarantee Company registered in England & Wales with company number 10676296 (Registered office address: 34 North Street, Bridgwater, Somerset, United Kingdom, TA6 3YD). Performing Dialogue is a a non-profit social enterprise. We aim to support and build the capacity of organisations and individuals worldwide who use Community Performance in their work.

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Featured Posts

Performing for Babies

During the Focus Day on Theatre for the Early Years, Paweł Gałkowski presented a paper, that was co-authored with Alicja Morawska-Rubczak, entitled “Baby and...

Eva Österlind: Drama Workshop on Sustainability – could the context confuse the content?

Previous research on Education for Sustainable Development, ESD, reveals that many young people associate environmental problems with feelings of helplessness, guilt and insecurity. Therefore,...

Michael Finneran: Distance and tyranny: Understanding drama, democracy & politics

Drama claims a unique relationship with democracy, politics and citizenship. We assert it as our birthright: borne from the ancient Greeks to Brecht; from...

Leny Woolsey: The Distance of Hierarchy

Hierarchy Noun A system in which members of an organization or society are ranked according to relative status or authority. Synonyms pecking order, ranking,...

Mary Ann Hunter: On wayfinding and a precarious politics of presence

Educators, artists, children, star-gazers. We/they/you trade in primacies of encounter and the arts of being present – to oneself, to others, and to belongings of practice,...

Co-Programming With Teenagers

The project partners of TEEN Ambassadors Across Europe traveled to the Artistic Gathering of the International Association of Theatre for Children and Young People (ASSITEJ) in...
young@home by Hillbrow Theatre

Speaking in a Language that Transcends Borders

OBISIKE: It Takes A Lion’s Heart This performance, the result of an international collaboration between Germany and Nigeria, highlighted the similarities between cultures on the...
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Reactions to Research on Trauma & Theatre for Young Audiences

Keep scrolling down for more about the papers at this session, which was presented at the conference of the International Theatre for...

Fingers, Toes and Happy Toddlers

Nicola Elliot’s Fingers And Toes, My Body Knows was an exciting addition to the programme for Early Years at the Cradle of Creativity. With the...

Imagining the Future

"Imagining the future – confronting the present" could summarise the journey of DE MAAN (Mechelen, Belgium), which has spent the last 5...

“Never Stop Playing” at the ITYARN Conference

“It is our duty to help the children, they should grow seeing everybody in similar situations. This is our duty!” - Sindiwe Magona Sindiwe Magona, a South...

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