About Us
Performing Dialogue is the trading name of Dialogue Community Performance, a Non-Profit Limited by Guarantee Company registered in England & Wales with company number 10676296 (Registered office address: 34 North Street, Bridgwater, Somerset, United Kingdom, TA6 3YD). Performing Dialogue is a a non-profit social enterprise. We aim to support and build the capacity of organisations and individuals worldwide who use Community Performance in their work.
Featured Posts
Claire French: Towards translingual praxis: departures from monolingual facilitation
This paper presents interdisciplinary research that draws from discourse in sociolinguistics to problematise uncritical language-based paradigms inherited by facilitators of applied performance praxis, focusing...
Facing Fears and Dancing in the Dark: About Shadows
Walking into the space for About Shadows, I bumped into musician Stefano Barone who informed...
Fiona McDonagh and Dorothy Morrissey: Using Theatre to Trouble Gender with Young Children
A Paper by Fiona McDonagh and Dorothy Morrissey, Mary Immaculate College, University of Limerick (Ireland)Presented at the Conference of the International...
Ernie Nolan Encounters The Devils We Face in TYA
The Artistic Encounters, daily events which took place during the week of the ASSITEJ Artistic Gathering 2019, were hosted by members of...
Seedfolks: A conversation with the Director
Seedfolks is a production by Children's Theatre Company, Minneapolis, USA. It was directed by Peter C. Brosius and Sonja Parks is the only cast member.
You...
Tales from the Norwegian Wood: “Staaloe – to Fight a Giant”
Myth, legends, and fairytales have been around for hundreds of years. You may have had a fairytale passed down through your family,...
Alternative Dramaturgies for Cross-Cultural Productions and Productions which Represent the So-Called ‘Other’
In this talk, Mariken Lauvstad asks key questions for cross- and intercultural theatre production in our globalised world. How aware is the...
Wasim Kurdi: Yearnings of Immigration and Its Agony
Identity formulation through experiencing: “distances by traveling” and “distances by departing”
In 1851, the first Palestinian man arrived in Brazil as an asylum seeker following a harsh...
Snippets from the ASSITEJ Cradle of Creativity
My third day at Cradle of Creativity was spent focusing on the sharing of stories.
Firstly, during the morning plenary at City Hall, I listened...
The Sights & Sounds of Sandscape
The beautifully playful production, Sandscape, was incubated within the training programmes of Magnet Theatre (South Africa). The production was a truly international initiative, having been supported by the Goethe-Institut and...
The Inspiring Work of Magnet Theatre
In May and June 2017, members of the Dialogue team were lucky enough to spend time with the wonderful Magnet Theatre in Cape Town.
Magnet...
