About Us

Performing Dialogue is the trading name of Dialogue Community Performance, a Non-Profit Limited by Guarantee Company registered in England & Wales with company number 10676296 (Registered office address: 34 North Street, Bridgwater, Somerset, United Kingdom, TA6 3YD). Performing Dialogue is a a non-profit social enterprise. We aim to support and build the capacity of organisations and individuals worldwide who use Community Performance in their work.

Click here for more information about our work.

Featured Posts

A Day in the Life of a Magnet Theatre Trainee

Magnet Theatre’s Full-Time Training and Job Creation programme is a 2-year programme for “youth who for one reason or another struggle to be absorbed...

Sarah Woodland: Heterotopias in Performance: Participatory theatre in a women’s prison

Our Ancestors, Our History, Our Lost Culture was a devised performance given by women inside Brisbane Women’s Correctional Centre in 2017. The performance dealt...

Rachael Jacobs, Robyn Ewing, Juliana M. Saxton and Carole Miller: Embracing tyrannies?: Critical moments...

Assessment is often thought to be the enemy of creativity, with its tyrannical hold over teaching and learning, and its friends ‘quality assurance’ and...

Making Theatre for Early Years

Saturday, 27nd May, was the Cradle of Creativity’s Focus Day on Theatre for the Early Years, held at the Baxter Theatre in Cape Town....
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Sitting Down with Sintija Kirsone & Anke Leen Ledda Mikk – Faces of the...

Anke Leen Ledda Mikk is currently a final year student at Tallinn European School (Estonia). Since she was young, she has always...

Wasim Kurdi: Yearnings of Immigration and Its Agony

Identity formulation through experiencing: “distances by traveling” and “distances by departing” In 1851, the first Palestinian man arrived in Brazil as an asylum seeker following a harsh...
LED lights are set up around the front of the stage. These are the main sources of lighting used throughout the Performance. There are no other lights rigged in the Theatre.

Lights, Camera, Action: Lighting and Colours in Theatre for Young Audiences

The following series of photographs highlight the unique use of stage lighting in two performances of Theatre for Babies. Soro et le grain de maïs...

Q&A with Gaenor Stoate, Lucy Lott, Moe Gregorzewski, Eva Göksel, and Martha Lamont

https://youtu.be/mTRuTi_7msI Gaenor Stoate is a teaching fellow at the University of Waikato, lecturing in the Faculty of Education on secondary drama curriculum papers and also in...

Be Wilder Man

Be Wilder Man is a delightful Immersive Theatre experience for young students. The children are invited to come up with their own questions and answers as they discover...

Roundtable on Drama Education, Climate, and the Environment

A roundtable on an environmental theme at IDIERI 2018, convened by Molly Mullen. https://youtu.be/GJqq1lb2j_w Molly Mullen is a Senior Lecturer in applied theatre at the University...
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Chatting with Tatiana Bobrova & Reeli Lonks – Faces of the ASSITEJ Artistic Gathering...

Tatiana Bobrova is Chief Coordinator and Programmer of the International Theatre Kingfestival and Manager of the Novgorod Theatre for Children and Youth Mali...

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