About Us

Performing Dialogue is the trading name of Dialogue Community Performance, a Non-Profit Limited by Guarantee Company registered in England & Wales with company number 10676296 (Registered office address: 34 North Street, Bridgwater, Somerset, United Kingdom, TA6 3YD). Performing Dialogue is a a non-profit social enterprise. We aim to support and build the capacity of organisations and individuals worldwide who use Community Performance in their work.

Click here for more information about our work.

Featured Posts

Scene from Maimane!, performed by the Ensemble of Drama For Life Theatre Company and directed by Warren Nebe

The Director’s Inspiration: An Interview

Maimane!, performed by the Drama For Life Theatre Company (dir. Warren Nebe), is an insightful play about the goings-on in a township called Mkhukhuville....

Production Pitches and Questions of Quality

On Wednesday, 23rd May, 2017 I attended the Producer’s Bazaar as part of the Cradle of Creativity. A day of networking, performances and discussions,...

Martha Lamont: ‘Drama makes my brain healthy’: An inquiry into the potential for using...

This paper identifies the social challenges facing young children with special educational needs (SEN) in mainstream classrooms, and explores and recommends drama in education...

Rannveig Thorkelsdóttir: How is drama as a subject implemented in Icelandic compulsory education?

In Iceland, drama is a subject in the national curriculum. Within a socio-cultural framework of understanding, an ethnographic study of the culture and the...

Opening up a Creative Case for Diversity and Interculturality

A theme that has surfaced repeatedly over the past two days is intercultural exchange and diversity. The Cradle of Creativity is, in itself, a tremendous...

New free e-book by Monica Prendergast and Will Weigler: Web of Performance: An Ensemble...

Dr. Monica Prendergast is an Associate Professor of Drama/Theatre Education, Department of Curriculum & Instruction at the University of Victoria. Her research interests include drama-based...
Interview with Reeves Collins

Embracing “Good Crazy” at Coming Full Circle

I went to see Coming Full Circle, a talk and documentary screening delivered by Jenny Anne Koppera. During her speech, Koppera spoke of establishing...
video

Interviewing Endre Sannes Hadland – Faces of the ASSITEJ Artistic Gathering 2019

Endre Sannes Hadland is Kilden Theatre’s resident Dramaturg. He has a Master's Degree in Dramaturgy from the University of Aarhus. Endre has...

Trish Wells and Susan Sandretto: A fresh look at literacy learning

Displacement is a global phenomenon, with relevance for all New Zealand classrooms. We explored the question ‘What does it mean to be displaced’ through...

Theatre for Social Change at iThemba Labantu – A Reflection

The Focus Day on Theatre for Social Change, held at the iThemba Labantu Community Centre in Philippi township near Cape Town, involved a range of...

Alison O’Grady: Human Rights and Critical Consciousness For Personal Practice

Hath not a Jew hands, organs, dimensions, senses, affections, passions?... If you prick us, do we not bleed? The Merchant of Venice – Shakespeare...

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