Simon Dennan: Babylon by Boal
Bob Marley visited the Pacific in 1979 with the Babylon by Bus tour. His influence, through his music, is still felt throughout Oceania as local musicians and audiences have adopted Reggae as an Oceanian...
Can the Norwegian Model Inspire a New Direction for the Future of Presenting Professional...
Scenekunstbruket is the largest nationwide provider of Performing Arts for Young Audiences in Norway and is a competence centre for distribution and dissemination of Theatre for Young Audiences. Through their network (in...
Moe Gregorzewski: Interventions of Otherness? Developing a Critical Transcultural Pedagogy through Applied Theatre
I will explore how postcolonial perspectives on culture and migration can inform the development of a process drama-based Applied Theatre practice that encourages social responsibility and critical citizenship amongst young people. Developing such pedagogical...
The Inspiring Work of Magnet Theatre
In May and June 2017, members of the Dialogue team were lucky enough to spend time with the wonderful Magnet Theatre in Cape Town.
Magnet Theatre is an independent South African physical theatre company that...
Zimkhita Mzimba, Sivuyile Dunjwa, Natasha Gana and Tina Hashe
NG: My name is Natasha Gana. I was a trainee, 2014-15.
TH: Hello, my name is Tina Hashe and I was a Magnet trainee, 2014-15.
ZM: Hello, I’m Zimkhita Mzimba I’m a Magnet Theatre graduate,...
Matt Omasta and Elizabeth Murray: Assessment in Elementary Drama Education
This study articulates U.S. elementary (primary) school drama specialists’ / teachers’ perceptions of assessment as a component of education and documents assessment processes and procedures in drama classrooms. Through a series of qualitative interviews...
A Look Inside New Visions/New Voices
New Visions/New Voices is described as "a week-long biennial workshop/festival for playwrights and theaters to stimulate and support the creation of new plays and musicals for young audiences and families." Hosted by the Kennedy Center...
Perceptions of Home in Vrygrond
“Safety and security don’t just happen, they are the result of collective consensus and public investment. We owe our children, the most vulnerable citizens in our society, a life free of violence and fear”...
Here’s The Dirt On Life – A Mudpie
After attending a workshop in the morning, I was energised and excited to be going off to see my first performance of the ASSITEJ Artistic Gathering 2019. With the publicity shots from...
Rachael Jacobs, Robyn Ewing, Juliana M. Saxton and Carole Miller: Embracing tyrannies?: Critical moments...
Assessment is often thought to be the enemy of creativity, with its tyrannical hold over teaching and learning, and its friends ‘quality assurance’ and ‘accountability’. Yet in educational spaces, drama assessment must take place....