Seedfolks: A conversation with the Director
Seedfolks is a production by Children's Theatre Company, Minneapolis, USA. It was directed by Peter C. Brosius and Sonja Parks is the only cast member.
You can hear an interview (7 minutes) with the Director, Peter C....
Encountering Sustainability with Stefan Fischer-Fels
“How do we make sustainable Theatre?” was the question posed by Stefan Fischer-Fels, member of the ASSITEJ Executive Committee, at this morning's Artistic Encounter. It really got us all thinking. How do...
Theatre for Social Change at the Cultural Hub in Gugu S’Thebe, Langa
The first Focus Day to be held in Gugu S’Thebe Cultural Centre, in the township of Langa, was on the theme of Theatre for Social Change. What follows is a summary of the day,...
Clowning Around with Dr Jamie McLaren Lachman
Myrto Papoulia and Tegan Arazny sat down with Dr Jamie McLaren Lachman, Founder & Executive Director of Clowns Without Borders South Africa, on Wednesday, 21st June 2017.
You can watch the full video (52 minutes)...
Matthew Decoursey: Boal, Bolton and Philosophy on Changes of Perception
Jacques Rancière suggests to us that the process of including excluded people has to do with change of perception, a new "distribution of the sensible." Distance emerges between people by a process of categorization...
Exploring Techniques and Practices from the IDIERI 9 Workshops (Part 4)
Delegates at the 9th International Drama in Education Research Institute were treated to an abundance of exciting and engaging practical workshops during the 7-day event. To give you a flavour of what was on offer, the Dialogue team...
Gaenor Stoate: The tyranny of affective distance in the devised drama ensemble
This paper explores the concept of the devised drama ensemble, specifically students in their final year of secondary school curriculum drama in New Zealand’s National Certificate of Educational Achievement (NCEA) programme. Ensembles are established...
Rita in Performance
Rita was the first performance I saw at the ASSITEJ Artistic Gathering 2019 and, I have to say, I wasn’t quite sure what to expect. This was mostly because, perhaps ignorantly, I...
Where Are ASSITEJ’s Next Generation Headed Next?
ASSITEJ's Next Generation Programme offers new opportunities for learning and collaboration to emerging Practitioners interested in Theatre for Young Audiences. Their final session at the Cradle of Creativity was held on Friday, May 26th, 2017...
Warren Linds: Weechi metuwe mitotan Playing Games of Presence with Indigenous Youth in Saskatchewan,...
This paper will explore the integration of theatrical play with a land based focus and how it contributes to supporting holistic wellbeing in Indigenous youth. I focus on ‘Games of Presence’ theatre games often...