Spirit Songs – Part 2

This is Part 2 of our materials on the production of Spirit Songs (click here for Part 1). To hear more about the project, we sat down with Yonela Sithela, one of Magnet Theatre's Culture Gangs Facilitators who was...

Speaking with Mfundo Zono

MF: My name is Mfundo, and my surname is Zono. I’m from Eastern Cape, Port Elizabeth. I first studied at Magnet since 2014 and then I finished in 2015. In 2016, I applied for...
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Interviewing Endre Sannes Hadland – Faces of the ASSITEJ Artistic Gathering 2019

Endre Sannes Hadland is Kilden Theatre’s resident Dramaturg. He has a Master's Degree in Dramaturgy from the University of Aarhus. Endre has worked with Theatre groups and projects in Oslo, Stavanger, and...

Chris Blois-Brooke: Documenting ‘Otherness’: The Tyrannical Construction of Knowledge about Theatre for Development?

With Applied Theatre practitioners continuing to work in disparate corners of the world, the documentation of practice is important to allow ideas to travel and be exchanged across borders. Whilst the documents may be...

‘Animal Farm’ – Audience Reactions

After watching a Performance of Johannesburg, South Africa’s Shakexperience’s adaption of George Orwell’s Animal Farm, directed by Neil Coppen, I asked Schoolchildren and their Teachers for their reactions to the piece. The wealth of...

Dialogue at the ASSITEJ Cradle of Creativity

This project has now ended. You can see all of the resulting posts (over 100 multimedia resources) here. Dialogue is proud to announce its partnership with ASSITEJ – the International Association of Theatre for Children...
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Speaking with Rhona Matheson – Faces of the ASSITEJ Artistic Gathering 2019

Rhona Matheson has been working in Children’s Theatre & Arts since 2002 when she joined Wee Stories. She began working with Starcatchers on its pilot project in 2006 and since then has...

Dancers of the Cradle

In its second week, the Cradle of Creativity hosted two Focus Days on Dance Theatre for Young People (Wednesday, May 24th and Thursday, May 25th, 2017). The sessions during these days included a workshop on "Empathy as...

Linda Hassall: Politics of Distance: Psychological Landscapes. Contemporary Identity in Australian Gothic Drama

The politics of distance has informed the psychological landscape of Australian cultural identity since settlement and colonisation. Australian Gothic drama explores the psychology of distance through socio cultural themes associated with identity, race and...
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Meeting with Jean-François Guilbault & Sabrina Baran – Faces of the ASSITEJ Artistic Gathering...

Jean-François Guilbault is a graduate of the Cégep Theatre in Saint-Hyacinthe (2008) and is the co-founder of Samsara Theatre. He has directed multiple shows and has collaborated on many Creative and Cultural...