IDIERI 9: Day 1 Twitter Roundup

IDIERI 9 began on Monday 2nd July 2018 with a traditional Powhiri welcoming ceremony, an excellent keynote from Mary Ann Hunter, and a relaxed evening...

Kelly Freebody: Distance through critique: Moving beyond the ‘common-sense’ of drama for social change

This paper urges us to use a critical lens to distance ourselves from common-sense understandings of what we do and why. It unpacks key...

Wendy Mages: Theatre-in-Education, Language, and Perspective Taking in Early Childhood Education

At the nexus of three disciplines— educational theatre and drama, language development, and cognitive development—this mixed-methods study investigates the effect of a preschool theatre-in-education...

IDIERI 9: Day 4 Twitter Roundup

Day 4 of IDIERI 9 was a particularly busy one - with panels, papers, and panels aplenty. There was also an Emerging Scholars Panel, as...

Matthew Decoursey: Boal, Bolton and Philosophy on Changes of Perception

Jacques Rancière suggests to us that the process of including excluded people has to do with change of perception, a new "distribution of the...

Book Launch at IDIERI 9

The 2nd day of the 9th International Drama in Education Research Institute saw an evening book launch at the official event pub, The Leaky...

Claire French: Towards translingual praxis: departures from monolingual facilitation

This paper presents interdisciplinary research that draws from discourse in sociolinguistics to problematise uncritical language-based paradigms inherited by facilitators of applied performance praxis, focusing...

The Y-Connect Project: Using Arts partnerships and pedagogies to create connections and expand horizons

This panel reports on findings from the Y-Connect project, a three-year collaboration between researchers from Griffith University, the staff and students of a culturally...

Alison O’Grady: Human Rights and Critical Consciousness For Personal Practice

Hath not a Jew hands, organs, dimensions, senses, affections, passions?... If you prick us, do we not bleed? The Merchant of Venice – Shakespeare...

Elizabeth Anderson and Marsha Finlay: But that’s not right, is it Miss? Colonisation and...

This paper tells of collaborative research in which two primary school teachers designed drama work to help their students navigate challenging journeys. From safe...