Perceptions of Home in Vrygrond
“Safety and security don’t just happen, they are the result of collective consensus and public investment. We owe our children, the most vulnerable citizens in our society, a life free of violence and fear”...
Q&A with Gaenor Stoate, Lucy Lott, Moe Gregorzewski, Eva Göksel, and Martha Lamont
https://youtu.be/mTRuTi_7msI
Gaenor Stoate is a teaching fellow at the University of Waikato, lecturing in the Faculty of Education on secondary drama curriculum papers and also in the Faculty of Arts and Social Sciences where she teaches...
Opening up a Creative Case for Diversity and Interculturality
A theme that has surfaced repeatedly over the past two days is intercultural exchange and diversity. The Cradle of Creativity is, in itself, a tremendous forum of exchange. As such, being able to reflect on...
Dialogue at the ASSITEJ Cradle of Creativity
This project has now ended. You can see all of the resulting posts (over 100 multimedia resources) here.
Dialogue is proud to announce its partnership with ASSITEJ – the International Association of Theatre for Children...
Nicola Pauling: When Distance Lives next door; using applied theatre to strengthen complex social...
Wellington City’s 5000 social housing tenants live in medium and high-density housing communities. Cultural diversity amongst this population is high, including significant numbers of migrants and former refugees, while English as a first language,...
Rannveig Thorkelsdóttir: How is drama as a subject implemented in Icelandic compulsory education?
In Iceland, drama is a subject in the national curriculum. Within a socio-cultural framework of understanding, an ethnographic study of the culture and the context for the implementation of drama was carried out and...
IDIERI 9: Day 4 Twitter Roundup
Day 4 of IDIERI 9 was a particularly busy one - with panels, papers, and panels aplenty. There was also an Emerging Scholars Panel, as well as Postgraduate Roundtables, and it was lovely to see...
Jan Cohen-Cruz – Notes from an Autumn Gardener: Reflections on Theater and Distance
Two photographs bookend my talk. The first, an 8×10 inch “head shot,” which actors staple to their resume and leave with casting agents, was taken when I was 18 years old. It’s as close...
Tiger Tale by Barrowland Ballet
Performace Synopsis: "Something wild is prowling... A troubled family's world turns upside down when a tiger invades their home. Tiger Tale/Playful Tiger are two productions of the same story: one for general...
Roundtable on Latin and LatinX and the Post Dramatic in TYA
Presented at the Conference of the International Theatre for Young Audiences Research Network (ITYARN), part of the ASSITEJ Artistic Gathering 2019 in Kristiansand, Norway
With participation from: Lorenzo Garcia,...