Fiona McDonagh: A teacher’s story of dramatic change

This paper presents a case study derived from a larger phenomenological inquiry into the ‘lived experience’ of teachers cocreating drama in Irish primary classrooms. Co-creating drama depends on the active involvement of the teacher,...
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Interviewing Kristian Glomnes – Faces of the ASSITEJ Artistic Gathering 2019

Kristian Glomnes is Head of Communication and Media at Seanse Centre for Art Production in Norway. He has a BA Degree in Drama & Theatre, as well as in Pedagogy, from Volda...

Chilla Tamas and Erika Piazzoli: Who’s Culture Is It Anyway? An exploration of DiE...

International schools are a melting pot of students from a diverse range of cultures. They afford students unique opportunities to experience cultural immersion in their developmental years. In order to nurture intercultural understanding educators...

Linda Hassall: Politics of Distance: Psychological Landscapes. Contemporary Identity in Australian Gothic Drama

The politics of distance has informed the psychological landscape of Australian cultural identity since settlement and colonisation. Australian Gothic drama explores the psychology of distance through socio cultural themes associated with identity, race and...

The Inspiring Work of Magnet Theatre

In May and June 2017, members of the Dialogue team were lucky enough to spend time with the wonderful Magnet Theatre in Cape Town. Magnet Theatre is an independent South African physical theatre company that...

Musical Theatre for Education

As a part of the Cradle of Creativity's Focus Day on Music Theatre for Young Audiences, Tina Stodart delivered a Pecha Kucha about her work in Potchefstroom, South Africa. In the following interview (6 minutes), she speaks about using...

Luvo Tamba’s Experience at Magnet Theatre

LT: My name is Luvo and my surname is Tamba. I’m also coming from a township, a place called Philippi, Browns Farm I’m one of the first students graduated Magnet Theatre...

Panali Panali

Panali Panali, presented by Zambia-based Dinaledi Expressions, combines both storytelling and theatre. “Panali panali” is a Nyanja phrase, roughly equivalent in English to “once upon a time” or “do I have your attention?” Indeed, the...

Talking with Lwando Magwaca

LM: My name is Lwando Magwaca. I graduated 2016. From 2014, 2015, 2016 - so I had three-years intensive programme training with Magnet Theatre. Tegan Arazny (TA) : AND WHAT HAVE YOU DONE SINCE YOU...

Wendy Lathrop Meyer, Kristin Runde and Øystein Vestre: Communication within a cultural sensitive perspective...

‘When Tragedy embraces the Farce’ ‘See me – a double glance’ 'A journey through time and space – storytelling as a meeting between cultures' Meyer aims to show how “The Gogol Project”, involving both Tanzanian and Norwegian...