The Faces of Magnet Theatre

In June 2017, Tegan Arazny and Myrto Papoulia were lucky enough to meet with alumni of Magnet Theatre's Full-Time Training and Job Creation Programme. This is a 2-year programme for “youth who for one reason or another struggle to...

Mary Ann Hunter: On wayfinding and a precarious politics of presence

Educators, artists, children, star-gazers. We/they/you trade in primacies of encounter and the arts of being present – to oneself, to others, and to belongings of practice, region, interest and culture. They/you/we revel in relationality, curiosity, affect, and...

Over the Top

“Over The Top, is an ANZAC play that presents a theatrical insight into the lives of nine young people who enlisted in WW1 in 1915 and explores the effect on their families left behind. The...

A Meeting of IIAN, the International Inclusive Arts Network

In a small theatre space on the fourth floor of the Kilden Performing Arts Centre, the venue hosting the ASSITEJ Artistic Gathering 2019, there is a group of wonderful people meeting together...
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Reactions to Research on Trauma & Theatre for Young Audiences

Keep scrolling down for more about the papers at this session, which was presented at the conference of the International Theatre for Young Audiences Research Network (ITYARN) that took place in Kristiansand...

Ernie Nolan: A Sense of Place

Ernie Nolan, the facilitator of the A Sense of Place playwriting workshop, hands the participants a map of Cape Town and tells them to go out into the city and to take photographs of anything they...

Us/Them: Audience Reactions

In 2004, Chechen terrorists held 1,200 people captive in a school in North Ossetia, Russia. By the end of the ordeal 385 people, mostly children, were dead. This captivating production of Us/Them was produced by Theatre...

A Look Inside New Visions/New Voices

New Visions/New Voices is described as "a week-long biennial workshop/festival for playwrights and theaters to stimulate and support the creation of new plays and musicals for young audiences and families." Hosted by the Kennedy Center...

A Platform for “Local Talent and Local Stories”

Having received training from the Clowns Without Borders South Africa team, four young facilitators from The Seven Passes Initiative visited nine local schools, in the final part of the ‘Our Story, Your Story’ project. Having...

Rannveig Thorkelsdóttir: A suitable vision for the functions of Drama in schools, now and...

In 2013 drama was included in the national curriculum framework in Iceland for the first time. As a result, there were considerable tensions connected with how Icelandic schools could or should embrace this newcomer...