Talking with Ieltxu Ortueta – Faces of the ASSITEJ Artistic Gathering 2019
Ieltxu Ortueta was born in Bilbao, Basque Country in Spain. He is the father of Gorka and Lua and is also an Actor, Performer, Art Historian, and Graphic Artist. Living and working...
Seedfolks: A conversation with the Director
Seedfolks is a production by Children's Theatre Company, Minneapolis, USA. It was directed by Peter C. Brosius and Sonja Parks is the only cast member.
You can hear an interview (7 minutes) with the Director, Peter C....
An Illuminating Experience at It’s Dark Outside
It’s Dark Outside (dir. Arielle Gray, Chris Isaacs & Tim Watts) is a stunning piece of Theatre in every way, exploring Alzheimer's and dementia in a deep and powerful manner. Having never seen a play about...
Talking with Lwando Magwaca
LM: My name is Lwando Magwaca. I graduated 2016. From 2014, 2015, 2016 - so I had three-years intensive programme training with Magnet Theatre.
Tegan Arazny (TA) : AND WHAT HAVE YOU DONE SINCE YOU...
Deanna Borland-Sentinella: Navigating the Distance to Desired Futures
Arundhati Roy says “another world is not only possible … on quiet days I can hear her breathing” … but is a distant echo enough for people to feel enabled to create change when...
Mary Ann Hunter: On wayfinding and a precarious politics of presence
Educators, artists, children, star-gazers. We/they/you trade in primacies of encounter and the arts of being present – to oneself, to others, and to belongings of practice, region, interest and culture. They/you/we revel in relationality, curiosity, affect, and...
Drama & Maths Education: Crossing the River
The Cradle of Creativity’s Focus Day on Theatre as Education saw an interactive, energetic and embodied Maths lesson take place in the afternoon.
Professor Kennedy Chinyowa (Tshwane University of Technology, South Africa) and Selloane Mokuku...
Elinor Vettraino: Navigating the self: a journey through the process of researching embodied reflexivity...
In moments of transition, stories are often told and enacted in order to enable smooth passage between experiences (Gersie, 1997). Metaphorical or analogical bootstrapping occurs as we seek to link one unknown or unfamiliar...
Exploring the Producers’ Bazaar
Janni Younge, the multi-award winning South African Puppeteer, facilitated the Cradle of Creativity’s Producers' Bazaar on 22nd and 23rd May 2017 at The Masque Theatre in Muizenberg, Cape Town.
The Bazaar emphasised the importance of making interpersonal connections...
Chris Blois-Brooke: Documenting ‘Otherness’: The Tyrannical Construction of Knowledge about Theatre for Development?
With Applied Theatre practitioners continuing to work in disparate corners of the world, the documentation of practice is important to allow ideas to travel and be exchanged across borders. Whilst the documents may be...