Alternative Dramaturgies for Cross-Cultural Productions and Productions which Represent the So-Called ‘Other’

In this talk, Mariken Lauvstad asks key questions for cross- and intercultural theatre production in our globalised world. How aware is the Western theatre apparatus of its Eurocentric worldview? When Western theatres...

Monica Prendergast and Robyn Shenfield Bouchard: From theatre to performance studies: Collaborating on curriculum...

The implementation of a performance studies curriculum in secondary schools presents opportunities and barriers. Following from a federally-funded curriculum development project--that led to the publication of an Open Source ebook, "Web of Performance: An...

Voices in Dialogue: Peter O’Connor

There was so much in the way of stimulating learning and idea-sharing at the 9th International Drama in Education Research Institute (IDIERI 9) in Auckland last year (2018) that it was impossible...

The Hope and Future of Theatre for Young People

Theatre is more important than ever. Dr Ekua Ekumah, the Keynote Speaker for Tuesday’s opening address of the ITYARN (International Theatre for Young Audiences Research Network) Conference, began by speaking of the importance of staging Theatre...

Rite of Spring – A Personal Reflection

Theatre offers us, I believe, a space to express what cannot be said through words alone. Perhaps that is why I now find words to be insufficient in order to capture my experience of...

Karoo Moose: An Audience Reaction

Karoo Moose is a production by Baxter Theatre Centre, of South Africa. It was directed by Lara Foot. Karoo Moose is a powerful production that really left its mark on me. In the following audio...
John Namai, a Storyteller from Kenya, facilitates a workshop at Cradle of Creativity on the Art of Sigana Storytelling

Reviving the Art of Storytelling

Storytelling can be traced back through the ages. Prior to written text and literature, communication of stories, traditions, customs and values was often through the oral traditions of voice and song. Yet, despite the...

A Look into Patrice Balbina’s World

The following podcast (6 minutes) explores the collaboratively devised, multi-lingual piece, Patrice Balbina’s Chance Encounter with the End of the World, from the varied perspectives of the Director (Fraser Corfield), some of the Cast...

Zimkhita Mzimba, Sivuyile Dunjwa, Natasha Gana and Tina Hashe

NG: My name is Natasha Gana. I was a trainee, 2014-15. TH: Hello, my name is Tina Hashe and I was a Magnet trainee, 2014-15. ZM: Hello, I’m Zimkhita Mzimba I’m a Magnet Theatre graduate,...