Lwanda Sindaphi Reflects
LS: My name is Lwanda Sindaphi. I’m from Delft. I am artistic director of Lingua Franca Spoken Word Movement. I graduated in Magnet Theatre in 2013.
LS: I’ve been doing a lot of things ...
Checking in to Kristiansand
When I first started considering Theatre for Young Audiences (TYA) as a career option, I never in my wildest dreams would have imagined it would be bringing me here, to a coastal...
Whiteout: Audience Responses
Described as a piece which "gives resonance to the complexities of bi-racial relationships", Barrowland Ballet's production of Whiteout (choreographed by Natasha Gilmore), exploded onto the stage with distorted music and movement.
The Dancers began the performance clouded in...
Making Theatre for Early Years
Saturday, 27nd May, was the Cradle of Creativity’s Focus Day on Theatre for the Early Years, held at the Baxter Theatre in Cape Town. Below you can see some quotes from the Plenary session...
IDIERI 9: Day 2 Twitter Roundup
The second day of IDIERI 9 was an excellent one - beginning with 6 concurrent practical workshops, the day continued with papers, panels, a performance, and even a book launch event.
https://twitter.com/selinabusby/status/1013904559079657473
https://twitter.com/gaenor22/status/1013879359415844864
https://twitter.com/jendibella/status/1013928328598675457
https://twitter.com/selinabusby/status/1013929267871092737
https://twitter.com/soilsitheoir/status/1013940700369571840
https://twitter.com/cfrenchtweeting/status/1013960733879513088
https://twitter.com/thepollstar/status/1014045414322868224
https://twitter.com/c_and_t/status/1014016216552345601
https://twitter.com/Imagine_A_Day/status/1014080293949489152
https://twitter.com/ride_journal/status/1014038530035724294
https://twitter.com/playfulpedagogy/status/1014078048797220865
Ragnhild Tronstad: Artistic Quality and Audience Participation in Theatre for Young Audiences
A Paper by Ragnhild Tronstad, Kulturtanken – Arts for Young Audiences NorwayPresented at the Conference of the International Theatre for Young Audiences Research Network (ITYARN), part of the ASSITEJ Artistic Gathering 2019...
Opening up a Creative Case for Diversity and Interculturality
A theme that has surfaced repeatedly over the past two days is intercultural exchange and diversity. The Cradle of Creativity is, in itself, a tremendous forum of exchange. As such, being able to reflect on...
Performing Culture
As part of ASSITEJ's Cradle of Creativity, I was lucky enough to see performances Khokho's Treasure and Dear Mr Government, Please May I Have A Meeting With You Even Though I’m Six Years Old? These two very different productions...
Highlights of the Parenting for Lifelong Health (PLH) Multimedia Toolkit
Dialogue has been working with Clowns Without Borders South Africa to develop an audiovisual toolkit for their Parenting for Lifelong Health (PLH) Programmes.
In South Africa, the programme is referred to as the Sinovuyo Caring Families Programme,...
Exploring Techniques and Practices from the IDIERI 9 Workshops (Part 2)
Delegates at the 9th International Drama in Education Research Institute were treated to an abundance of exciting and engaging practical workshops during the 7-day event. To give you a flavour of what was on offer, the Dialogue team...
















