The Willow Pattern Tale
This Production of The Willow Pattern Tale was created by Jill Joubert, Founding Member of the Handspring Puppet Company. In the Performance, Jill uses beautiful wooden puppets to unravel the myth of the Earth's...
Sounds from Rocking the Cradle
On Thursday 25th May 2017, I visited the Rocking the Cradle festival, hosted by Magnet Theatre as part of ASSITEJ's Cradle of Creativity. In the following audio clip (2 minutes), you can hear snippets from...
Finding Commonality through Formal Pitches
It seems more important than ever for all involved in the Community Performance field to come together and share their ideas and experiences. Therefore, I was really excited when Monday, 22nd May, 2017 saw...
Our House – A Photo Essay
Our House is a co-production between Ishyo Arts Centre (Kigali, Rwanda) and Helios Theatre (Hamm, Germany). It was directed by Barbara Kolling and Carole Karemera.
Each story is told visually and figuratively through the words, questions, movements...
Living Inclusion Through Theatre
Friday, May 26th, 2017 saw a Focus Day at the Cradle of Creativity on Inclusive International Arts - defined as Arts for, by and with people of all abilities. The day was a wonderful collection of...
Robyn Ewing and John Nicholas Saunders: Bridging the literacy-arts divide in Australian primary education:...
In neo-liberal times the distance between traditional understandings of literacy and the Arts has lengthened dramatically. A partnership between Australia’s largest theatre company and Australia’s oldest university has developed, School Drama, a co-mentoring teacher...
Chris Blois-Brooke: Documenting ‘Otherness’: The Tyrannical Construction of Knowledge about Theatre for Development?
With Applied Theatre practitioners continuing to work in disparate corners of the world, the documentation of practice is important to allow ideas to travel and be exchanged across borders. Whilst the documents may be...
Wendy Lathrop Meyer, Kristin Runde and Øystein Vestre: Communication within a cultural sensitive perspective...
‘When Tragedy embraces the Farce’
‘See me – a double glance’
'A journey through time and space – storytelling as a meeting between cultures'
Meyer aims to show how “The Gogol Project”, involving both Tanzanian and Norwegian...
Tony Reekie & Brigitte Dethier Reflect on Theatre for Young Audiences – Faces of...
Brigitte Dethier has been the Artistic Director and Stage Manager/Director of the Youth Ensemble Stuttgart since 2002 and Artistic Director of the festival, Schone Aussicht. In addition, she has been involved for...
Finding Magic at the Baxter Theatre!
The following photo essay explores the wonders of three Performances that were staged at the University of Cape Town's Baxter Theatre on Friday, 19th May, 2017: Korean Story Theatre: Story Silkroad (Korea National University...