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Alternative Dramaturgies for Cross-Cultural Productions and Productions which Represent the So-Called ‘Other’

In this talk, Mariken Lauvstad asks key questions for cross- and intercultural theatre production in our globalised world. How aware is the Western theatre apparatus of its Eurocentric worldview? When Western theatres...

Alexandra Lodge: Script-Down Script Development: Deaf Gain and Physical Dramaturgy in Aotearoa

This paper will discuss the development of my creative practice of Takitoru Dramaturgy. The practice originated in my doctoral research: the development of a trilingual play script for Te Reo Māori, New Zealand Sign...

Exploring Techniques and Practices from the IDIERI 9 Workshops (Part 3)

Delegates at the 9th International Drama in Education Research Institute were treated to an abundance of exciting and engaging practical workshops during the 7-day event. To give you a flavour of what was on offer, the Dialogue team...

From Sensory Dramaturgy to Double Diamond Devising

The Cradle of Creativity has seen Theatre-makers from around the world sharing some exciting tools and techniques. The Write Local, Play Global workshop offered participants a taste of "Sensory Dramaturgy", while Samantha Provenzano and Ally Tufenkijan...