Audience Reactions to Peer Gynt – Theatre Concert
Audience members and delegates of the ASSITEJ Artistic Gathering 2019 react to Peer Gynt - Theatre Concert by Kilden Teater and Kristiansand Symphony Orchestra (directed by Amalie Nilssen, conducted by Per Kristian...
Children as Audience and as Co-Researchers
Pernille Welent Sørensen is a PhD student in Performance Design at Roskilde University (Denmark). Since 2010, she's been employed by Teatercentrum (Denmark) who also co-financed her project “Children becoming Audience in the...
Spirit Songs – Part 2
This is Part 2 of our materials on the production of Spirit Songs (click here for Part 1).
To hear more about the project, we sat down with Yonela Sithela, one of Magnet Theatre's Culture Gangs Facilitators who was...
Reviving the Art of Storytelling
Storytelling can be traced back through the ages. Prior to written text and literature, communication of stories, traditions, customs and values was often through the oral traditions of voice and song. Yet, despite the...
Sharing Stories in SEN Contexts
Carpe Diem School provides for “Physical-, learning- and intellectually impaired learners between the ages of 6 and 18 years, that cannot be accommodated in mainstream education.” Based in George (South Africa), and serving young...
Theatre for Social Change at iThemba Labantu – A Reflection
The Focus Day on Theatre for Social Change, held at the iThemba Labantu Community Centre in Philippi township near Cape Town, involved a range of different speakers talking about their work across the globe.
What interested...
Carmel O’Sullivan et al: Teaching Artists Working in Inclusive Schools and Educational Settings
There is a long history of artists working in schools dating back to the 1950s, and Rabkin et al. (2011) claim that artists brought ‘a new kind of approach’ and ‘arts pedagogy’ into schools,...
Ragnhild Tronstad: Artistic Quality and Audience Participation in Theatre for Young Audiences
A Paper by Ragnhild Tronstad, Kulturtanken – Arts for Young Audiences NorwayPresented at the Conference of the International Theatre for Young Audiences Research Network (ITYARN), part of the ASSITEJ Artistic Gathering 2019...
Where Are ASSITEJ’s Next Generation Headed Next?
ASSITEJ's Next Generation Programme offers new opportunities for learning and collaboration to emerging Practitioners interested in Theatre for Young Audiences. Their final session at the Cradle of Creativity was held on Friday, May 26th, 2017...
Panali Panali
Panali Panali, presented by Zambia-based Dinaledi Expressions, combines both storytelling and theatre.
“Panali panali” is a Nyanja phrase, roughly equivalent in English to “once upon a time” or “do I have your attention?” Indeed, the...