About Us

Performing Dialogue is the trading name of Dialogue Community Performance, a Non-Profit Limited by Guarantee Company registered in England & Wales with company number 10676296 (Registered office address: 34 North Street, Bridgwater, Somerset, United Kingdom, TA6 3YD). Performing Dialogue is a a non-profit social enterprise. We aim to support and build the capacity of organisations and individuals worldwide who use Community Performance in their work.

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Featured Posts

Sensory Performance Practice Part One: Where We Are And Where We’re Not

I was extremely excited about this symposium. Entitled, “Sensorial Practices in Performing Arts for Babies and Neuro-diverse Audiences - A Critical Perspective”,...

Moe Gregorzewski: Interventions of Otherness? Developing a Critical Transcultural Pedagogy through Applied Theatre

I will explore how postcolonial perspectives on culture and migration can inform the development of a process drama-based Applied Theatre practice that encourages social...

Highlights of the Parenting for Lifelong Health (PLH) Multimedia Toolkit

Dialogue has been working with Clowns Without Borders South Africa to develop an audiovisual toolkit for their Parenting for Lifelong Health (PLH) Programmes. In South...

Nicola Pauling: When Distance Lives next door; using applied theatre to strengthen complex social...

Wellington City’s 5000 social housing tenants live in medium and high-density housing communities. Cultural diversity amongst this population is high, including significant numbers of...
LED lights are set up around the front of the stage. These are the main sources of lighting used throughout the Performance. There are no other lights rigged in the Theatre.

Lights, Camera, Action: Lighting and Colours in Theatre for Young Audiences

The following series of photographs highlight the unique use of stage lighting in two performances of Theatre for Babies. Soro et le grain de maïs...

Theatre for Babies – A Unique Proposal

The Baby Dance Workshop was facilitated by Dalija Acin Thelander, a Swedish Choreographer and Cultural Practitioner. I attended the first of her series of...

The Opening Ceremony at the Cradle of Creativity

Wednesday, 17th May, 2017 marked the official start of the 19th ASSITEJ World Congress and International Theatre Festival for Children and Young People, held in...

Book Launch at IDIERI 9

The 2nd day of the 9th International Drama in Education Research Institute saw an evening book launch at the official event pub, The Leaky...

Wendy Lathrop Meyer, Kristin Runde and Øystein Vestre: Communication within a cultural sensitive perspective...

‘When Tragedy embraces the Farce’ ‘See me – a double glance’ 'A journey through time and space – storytelling as a meeting between cultures' Meyer aims to...

Drama Games from all over the World!

The ASSITEJ Playground was an icebreaker event, where creative and collaborative drama games from practitioners around the world were shared and enjoyed. It is worth...

Christine Hatton: Drama as a ‘pedagogy of connection’: crossing epistemological and relational boundaries through...

This paper will explore the use of Heathcote’s rolling role system in a series of drama teaching and research projects which aimed to connect...

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