Over the Top

“Over The Top, is an ANZAC play that presents a theatrical insight into the lives of nine young people who enlisted in WW1 in 1915 and explores the effect on their families left behind. The...
John Namai, a Storyteller from Kenya, facilitates a workshop at Cradle of Creativity on the Art of Sigana Storytelling

Reviving the Art of Storytelling

Storytelling can be traced back through the ages. Prior to written text and literature, communication of stories, traditions, customs and values was often through the oral traditions of voice and song. Yet, despite the...

Luvo Tamba’s Experience at Magnet Theatre

LT: My name is Luvo and my surname is Tamba. I’m also coming from a township, a place called Philippi, Browns Farm I’m one of the first students graduated Magnet Theatre...

Carmel O’Sullivan et al: Teaching Artists Working in Inclusive Schools and Educational Settings

There is a long history of artists working in schools dating back to the 1950s, and Rabkin et al. (2011) claim that artists brought ‘a new kind of approach’ and ‘arts pedagogy’ into schools,...

Catalina Villanueva and Carmel O’Sullivan: Challenging distances: Navigating the waters of critical pedagogy in...

Drama’s potential for critical pedagogy has been explored in recent years (Freebody & Finneran, 2013; O’Connor, 2013), but seldom in Latin American settings. This case study analyses the experiences of Chilean teachers when learning...

Safe Place

The Safe Place Festival believes that every child deserves access to cultural opportunities to expand their minds and to include them in society at large. The goal of the Safe Place initiative...

Seedfolks: A conversation with the Director

Seedfolks is a production by Children's Theatre Company, Minneapolis, USA. It was directed by Peter C. Brosius and Sonja Parks is the only cast member. You can hear an interview (7 minutes) with the Director, Peter C....

Warren Linds: Weechi metuwe mitotan Playing Games of Presence with Indigenous Youth in Saskatchewan,...

This paper will explore the integration of theatrical play with a land based focus and how it contributes to supporting holistic wellbeing in Indigenous youth. I focus on ‘Games of Presence’ theatre games often...

‘Animal Farm’ – Audience Reactions

After watching a Performance of Johannesburg, South Africa’s Shakexperience’s adaption of George Orwell’s Animal Farm, directed by Neil Coppen, I asked Schoolchildren and their Teachers for their reactions to the piece. The wealth of...

A Wild Day Out with The Dancing Beasts

Mexican Theatre Company, La Liga teatro elástico, collaborated with South African Puppeteers and Actors from both The Mothertongue Project and Handspring Puppet Company. Together with local Young People, they brought a pack of wolf puppets to life. Onlookers watched...