Babalwa Makwetu and Nolufefe Ntshuntshe Speak About Magnet Theatre
BM: My name is Babalwa Makwetu and I graduated in 2012.
NN: And my name is Nolufefe Ntshuntshe, I graduated in 2011.
Tegan Arazny (TA) : WHAT ARE YOU CURRENTLY DOING WITH YOUR CAREER OR WHAT...
Christine Hatton: Drama as a ‘pedagogy of connection’: crossing epistemological and relational boundaries through...
This paper will explore the use of Heathcote’s rolling role system in a series of drama teaching and research projects which aimed to connect different educational sites, participants and disciplines in shared drama processes....
Luvo Tamba’s Experience at Magnet Theatre
LT: My name is Luvo and my surname is Tamba. I’m also coming from a township, a place called Philippi, Browns Farm I’m one of the first students graduated Magnet Theatre...
Little Sparrows Flying at Baxter
Sparrow is a wonderful, sweet performance for the Early Years by Teater Fot (Norway), directed by Lise Hovik. It follows a little sparrow on its journey from the moment it hatches out of the egg.
The piece encourages children to...
Nicola Pauling: When Distance Lives next door; using applied theatre to strengthen complex social...
Wellington City’s 5000 social housing tenants live in medium and high-density housing communities. Cultural diversity amongst this population is high, including significant numbers of migrants and former refugees, while English as a first language,...
Theatre for Babies – A Unique Proposal
The Baby Dance Workshop was facilitated by Dalija Acin Thelander, a Swedish Choreographer and Cultural Practitioner. I attended the first of her series of three workshops presented at ASSITEJ's Cradle of Creativity.
To begin the session,...
Projects from Around the World
The video below captures an informal meeting at the ASSITEJ Artistic Gathering 2019, where anyone in attendance in Kristiansand who had something to present was given the chance to do so.
Talking with Lwando Magwaca
LM: My name is Lwando Magwaca. I graduated 2016. From 2014, 2015, 2016 - so I had three-years intensive programme training with Magnet Theatre.
Tegan Arazny (TA) : AND WHAT HAVE YOU DONE SINCE YOU...
Ernie Nolan: A Sense of Place
Ernie Nolan, the facilitator of the A Sense of Place playwriting workshop, hands the participants a map of Cape Town and tells them to go out into the city and to take photographs of anything they...
Madge Hair: Writing on Gumbaynggirr Country for Co-Created Theatre as Decolonising Practice
This presentation analyses the challenges and processes of cocreating pieces of musical theatre inspired by and responding to storylines from Gumbaynggirr country, mid-north coast, New South Wales. The central question posed by the presenter’s...