Jump First, Ask Later – A Reflection
Innovative. Inspiring. Groundbreaking.
While watching a screening of Jump First, Ask Later on Wednesday night, I was captured by the creative use of real-life stories from Young Immigrants in Fairfield, Australia. Devised by Powerhouse Youth Theatre,...
Elinor Vettraino: Navigating the self: a journey through the process of researching embodied reflexivity...
In moments of transition, stories are often told and enacted in order to enable smooth passage between experiences (Gersie, 1997). Metaphorical or analogical bootstrapping occurs as we seek to link one unknown or unfamiliar...
Rachael Jacobs, Robyn Ewing, Juliana M. Saxton and Carole Miller: Embracing tyrannies?: Critical moments...
Assessment is often thought to be the enemy of creativity, with its tyrannical hold over teaching and learning, and its friends ‘quality assurance’ and ‘accountability’. Yet in educational spaces, drama assessment must take place....
Rita in Performance
Rita was the first performance I saw at the ASSITEJ Artistic Gathering 2019 and, I have to say, I wasn’t quite sure what to expect. This was mostly because, perhaps ignorantly, I...
Gaenor Stoate: The tyranny of affective distance in the devised drama ensemble
This paper explores the concept of the devised drama ensemble, specifically students in their final year of secondary school curriculum drama in New Zealand’s National Certificate of Educational Achievement (NCEA) programme. Ensembles are established...
IDIERI 9: Day 1 Twitter Roundup
IDIERI 9 began on Monday 2nd July 2018 with a traditional Powhiri welcoming ceremony, an excellent keynote from Mary Ann Hunter, and a relaxed evening reception - an opportunity to catch up with friends -...
Mary Ann Hunter: On wayfinding and a precarious politics of presence
Educators, artists, children, star-gazers. We/they/you trade in primacies of encounter and the arts of being present – to oneself, to others, and to belongings of practice, region, interest and culture. They/you/we revel in relationality, curiosity, affect, and...
A Performance of Stork’s Gift
Check out the video above for some performance highlights and audience reactions from the performance at the ASSITEJ Artistic Gathering 2019 in Kristiansand.
Performance Synopsis: Anyone who awaits a stormy story...
Karoo Moose: An Audience Reaction
Karoo Moose is a production by Baxter Theatre Centre, of South Africa. It was directed by Lara Foot.
Karoo Moose is a powerful production that really left its mark on me. In the following audio...
The Music Theatre for Young Audiences Network
“What is Music Theatre For Young Audiences?” This was the question posed to the participants of a workshop aiming to plan the start of a new international Music Theatre Network.
Held at the Baxter Theatre,...