Beviol Swartz and Rozanne Holland Discuss Their Training at Magnet Theatre
BS: My name is Beviol Swartz and I graduated twice, actually. I was in the group 2014-2015, and then I graduated that year, and the third year I was for one year...
Rachel Rhoades: Ethnodrama of Intersectionality: Neoliberalism & Youth Resistance in Toronto
The 12 Toronto youth in my ethnodrama study strive to survive neoliberal individualism that distances them from intimate peer connections and from knowledge of and strategic resistances toward the systemic injustices within the world....
Heads Held High – A Podcast
On Tuesday 3rd July 2018, delegates of the International Drama in Education Research Institute were treated to a performance of Heads Held High, a production by Black Friars that brought together 60 young leaders from 9 South Auckland schools...
Keeping Up With The ASSITEJ Artistic Gathering 2019
Dialogue – The Community Performance Network is collaborating with ASSITEJ at this year’s Artistic Gathering to document the conversations, workshops, and performances on offer in Kristiansand between 2nd...
Co-Programming With Teenagers
The project partners of TEEN Ambassadors Across Europe traveled to the Artistic Gathering of the International Association of Theatre for Children and Young People (ASSITEJ) in Kristiansand, Norway. Project teams from Belgium, Denmark, Italy, Norway, Spain,...
Talking All Things “Playful Tiger”
Tony Reekie moderates a talk with Natasha Gilmore, Artistic Director of Barrowland Ballet, who speaks about the production of Playful Tiger at the ASSITEJ Artistic Gathering 2019 in Kristiansand. It was an...
The Hope and Future of Theatre for Young People
Theatre is more important than ever. Dr Ekua Ekumah, the Keynote Speaker for Tuesday’s opening address of the ITYARN (International Theatre for Young Audiences Research Network) Conference, began by speaking of the importance of staging Theatre...
Lights, Camera, Action: Lighting and Colours in Theatre for Young Audiences
The following series of photographs highlight the unique use of stage lighting in two performances of Theatre for Babies.
Soro et le grain de maïs magique (trans. Soro and the magic grain), directed by Déborah...
Transformative Theatre
The South African production, The Underground Library (written by Jon Keevy and directed by Koleka Putuma), was a strong and exciting ensemble piece with an action-packed narrative that kept me on the edge of my...
Set Design Is Not Child’s Play
What has been incredible at the Cradle of Creativity Festival is the complexity of set designs and props on display, especially considering some Productions have travelled many thousands of miles to perform in Cape...