Rannveig Thorkelsdóttir: How is drama as a subject implemented in Icelandic compulsory education?
In Iceland, drama is a subject in the national curriculum. Within a socio-cultural framework of understanding, an ethnographic study of the culture and the context for the implementation of drama was carried out and...
Moe Gregorzewski: Interventions of Otherness? Developing a Critical Transcultural Pedagogy through Applied Theatre
I will explore how postcolonial perspectives on culture and migration can inform the development of a process drama-based Applied Theatre practice that encourages social responsibility and critical citizenship amongst young people. Developing such pedagogical...
Heads Held High – A Podcast
On Tuesday 3rd July 2018, delegates of the International Drama in Education Research Institute were treated to a performance of Heads Held High, a production by Black Friars that brought together 60 young leaders from 9 South Auckland schools...
Puppets on a Mission
This is Dialogue's first article in our series about Objects with Objectives at the ASSITEJ Cradle of Creativity 2017 - to see our second post, an audio interview with David Grant, please click here.
Objects with...
Mette Bøe Lyngstad: DREAMCATCHERS: A Narrative Research Project with Substance Abusers and Relatives
In our paper, we will present a narrative research connected to storytelling project with 8 previous substance abusers and their next-of-kind. In 20 days they developed stories of their dreams for the future, to...
Wasim Kurdi: Yearnings of Immigration and Its Agony
Identity formulation through experiencing: “distances by traveling” and “distances by departing”
In 1851, the first Palestinian man arrived in Brazil as an asylum seeker following a harsh long journey. He was probably carried by a cargo ship...
Documenting the Documenters
The 19th ASSITEJ World Congress and International Theatre Festival for Children and Young People, held in Cape Town from16th – 27th May 2017, was a tremendous success for all involved.
Together, the six dedicated and...
Walking the Line Between Past and Present
Making Mandela and Insta-Grammar were both featured performances during the Cradle of Creativity's Focus Day on Theatre for Social Change, held on Saturday 20th May 2017 at Guga S’thebe Arts and Cultural Centre in Langa Township.
Making Mandela, produced by...
Talking All Things “Playful Tiger”
Tony Reekie moderates a talk with Natasha Gilmore, Artistic Director of Barrowland Ballet, who speaks about the production of Playful Tiger at the ASSITEJ Artistic Gathering 2019 in Kristiansand. It was an...
A Toolkit of Theatrical Devices
Using film techniques to tell theatrical narratives.
From the production: It’s Dark Outside (dir. Arielle Gray, Chris Isaacs, Tim Watts)
Paying homage to both Film Noir and Western movies, torches and shadow work were used in It’s...