Elizabeth Anderson and Marsha Finlay: But that’s not right, is it Miss? Colonisation and...

This paper tells of collaborative research in which two primary school teachers designed drama work to help their students navigate challenging journeys. From safe New Zealand classrooms, students used drama to look at the...

Monica Prendergast and Robyn Shenfield Bouchard: From theatre to performance studies: Collaborating on curriculum...

The implementation of a performance studies curriculum in secondary schools presents opportunities and barriers. Following from a federally-funded curriculum development project--that led to the publication of an Open Source ebook, "Web of Performance: An...

Checking in to Kristiansand

When I first started considering Theatre for Young Audiences (TYA) as a career option, I never in my wildest dreams would have imagined it would be bringing me here, to a coastal...

Performing Culture

As part of ASSITEJ's Cradle of Creativity, I was lucky enough to see performances Khokho's Treasure and Dear Mr Government, Please May I Have A Meeting With You Even Though I’m Six Years Old? These two very different productions...

Traversing Tectonics: Alternative Pedagogies as Connexions and Conduits to Understanding

Addressing IDIERI 9’s theme of ‘the Tyranny of Distance’, specifically the aesthetics and politics of distance, this panel considers emerging approaches to drama pedagogies as a means of recovering distance in its metaphorical understanding. Examining modes from...

Carmel O’Sullivan et al: Teaching Artists Working in Inclusive Schools and Educational Settings

There is a long history of artists working in schools dating back to the 1950s, and Rabkin et al. (2011) claim that artists brought ‘a new kind of approach’ and ‘arts pedagogy’ into schools,...

Rannveig Thorkelsdóttir: A suitable vision for the functions of Drama in schools, now and...

In 2013 drama was included in the national curriculum framework in Iceland for the first time. As a result, there were considerable tensions connected with how Icelandic schools could or should embrace this newcomer...
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African Dance Workshop

The African Dance Workshop was led by Letlhogonolo Nche, a South African Northern Cape Dancer. It explored traditional rhythms and gave participants an exciting and energetic dance experience: https://www.youtube.com/watch?v=vdfYVFfx43E

Rachael Jacobs, Robyn Ewing, Juliana M. Saxton and Carole Miller: Embracing tyrannies?: Critical moments...

Assessment is often thought to be the enemy of creativity, with its tyrannical hold over teaching and learning, and its friends ‘quality assurance’ and ‘accountability’. Yet in educational spaces, drama assessment must take place....

Panali Panali

Panali Panali, presented by Zambia-based Dinaledi Expressions, combines both storytelling and theatre. “Panali panali” is a Nyanja phrase, roughly equivalent in English to “once upon a time” or “do I have your attention?” Indeed, the...