Conferences

IDIERI 9 entered its third day on a particularly cold winter's morning. With a plethora of exciting workshops, papers, and panels, the day saw a lot of pertinent provocations. https://twitter.com/selinabusby/status/1014270762289639425 https://twitter.com/gaenor22/status/1014247037099864064 https://twitter.com/ginippi/status/1014303664213667841 https://twitter.com/jendibella/status/1014285474163068928 https://twitter.com/playfulpedagogy/status/1014334353277517824 https://twitter.com/Imagine_A_Day/status/1014404376054489088 https://twitter.com/cfrenchtweeting/status/1014417643283992576 https://twitter.com/ginippi/status/1014427985028395009  

Hath not a Jew hands, organs, dimensions, senses, affections, passions?... If you prick us, do we not bleed? The Merchant of Venice – Shakespeare Act 3, scene 1 How do we learn to be human...

This paper explores the concept of the devised drama ensemble, specifically students in their final year of secondary school curriculum drama in New Zealand’s National Certificate of Educational Achievement (NCEA) programme. Ensembles are established...

Jean-François Guilbault is a graduate of the Cégep Theatre in Saint-Hyacinthe (2008) and is the co-founder of Samsara Theatre. He has directed multiple shows and has collaborated on many Creative and Cultural...

We sat down for a chat with the actors from the play, Persona: Rauno Kaibiainen, Merilin Kirbits, Kristian Põldma, and Tanel Ting. Performance Synopsis:I live in an apartment. There...

Maimane!, performed by the Drama For Life Theatre Company (dir. Warren Nebe), is an insightful play about the goings-on in a township called Mkhukhuville. Through the cast's multi-roling, the play alternates between stories of Children...

During the Focus Day on Theatre for the Early Years, Paweł Gałkowski presented a paper, that was co-authored with Alicja Morawska-Rubczak, entitled “Baby and contemporary dance. Feedback of creativity between adults and children”. Paweł Gałkowski...

Wednesday, 17th May, 2017 marked the official start of the 19th ASSITEJ World Congress and International Theatre Festival for Children and Young People, held in Cape Town, South Africa. Delegates from all over the world...

Our Ancestors, Our History, Our Lost Culture was a devised performance given by women inside Brisbane Women’s Correctional Centre in 2017. The performance dealt with the forced removal and institutionalization of Indigenous Australian children...

This presentation will describe preliminary progress on, and invite contribution to, an informal research project intending to examine and compare how different national and cultural contexts have shaped or affected drama’s relationship with formal...