Robin Pascoe and Peter Wright: Promises, Promises, Curriculum Promises: Implementing a national drama curriculum...

The metaphor of a leaky boat has an apt poignancy for researchers following the publication of the Australian Curriculum: The Arts (Drama) and its adoption and adaption in Western Australia. There are lessons to...
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Persona: A ‘Slice of Life’ in Mesmerising Tableaus

Check out the video above for some photographs from the ASSITEJ Artistic Gathering 2019 in Kristiansand, as well as some reactions from Youth Delegates in the audience. Below, you can check out some more...

Facing Fears and Dancing in the Dark: About Shadows

Walking into the space for About Shadows, I bumped into musician Stefano Barone who informed me where the audience would be invited to sit. I...
LED lights are set up around the front of the stage. These are the main sources of lighting used throughout the Performance. There are no other lights rigged in the Theatre.

Lights, Camera, Action: Lighting and Colours in Theatre for Young Audiences

The following series of photographs highlight the unique use of stage lighting in two performances of Theatre for Babies. Soro et le grain de maïs magique (trans. Soro and the magic grain), directed by Déborah...

Quotes of the Day from the ITYARN Conference

Presenters in the International Association of Theatre Critics’s ‘Mature Criticism in Children's Theatre’ keynotes panel. L-R: Dr Octavian Saiu, Dr Manon van de Water, Tracey Saunders and Professor Emmanuel Dandaura. On Socially Conscious Theatre ....

Walls

In 1989, the people of the German Democratic Republic imagined a new and different future. They demonstrated against a political system that had suppressed its people and denied them basic human rights....
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Ragnhild Tronstad: Artistic Quality and Audience Participation in Theatre for Young Audiences

A Paper by Ragnhild Tronstad, Kulturtanken – Arts for Young Audiences NorwayPresented at the Conference of the International Theatre for Young Audiences Research Network (ITYARN), part of the ASSITEJ Artistic Gathering 2019...

Audience Reactions

FTH:K's What Goes Up…, directed by Jayne Batzofin, is a gentle and playful piece that uses South African Sign Language to explore "the physical and emotional scopes of all things Up and Down". Having been created for...
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Lorenzo Garcia: Matters of Otherness and Unlearning with Latinx TYA

A Paper by Lorenzo Garcia, University of North Texas (USA)Presented at the Conference of the International Theatre for Young Audiences Research Network (ITYARN), part of the ASSITEJ Artistic Gathering 2019 in...

Beviol Swartz and Rozanne Holland Discuss Their Training at Magnet Theatre

BS: My name is Beviol Swartz and I graduated twice, actually. I was in the group 2014-2015, and then I graduated that year, and the third year I was for one year...