A Platform for “Local Talent and Local Stories”

Having received training from the Clowns Without Borders South Africa team, four young facilitators from The Seven Passes Initiative visited nine local schools, in the final part of the ‘Our Story, Your Story’ project. Having...

Fiona McDonagh: A teacher’s story of dramatic change

This paper presents a case study derived from a larger phenomenological inquiry into the ‘lived experience’ of teachers cocreating drama in Irish primary classrooms. Co-creating drama depends on the active involvement of the teacher,...

Rannveig Thorkelsdóttir: How is drama as a subject implemented in Icelandic compulsory education?

In Iceland, drama is a subject in the national curriculum. Within a socio-cultural framework of understanding, an ethnographic study of the culture and the context for the implementation of drama was carried out and...

Martha Lamont: ‘Drama makes my brain healthy’: An inquiry into the potential for using...

This paper identifies the social challenges facing young children with special educational needs (SEN) in mainstream classrooms, and explores and recommends drama in education (DiE) to enhance their social skills. This study specifically investigates...
video

Talking with Sanja Tropp Frühwald – Faces of the ASSITEJ Artistic Gathering 2019

Sanja Tropp Frühwald studied Contemporary Dance at the Salzburg Experimental Academy of Dance (SEAD). She has collaborated with numerous artists and, in 2007, she founded the VRUM Performing Arts Collective and worked...

Here’s The Dirt On Life – A Mudpie

After attending a workshop in the morning, I was energised and excited to be going off to see my first performance of the ASSITEJ Artistic Gathering 2019. With the publicity shots from...
Gugu S’Thebe Cultural Centre, in the township of Langa, venue for a Focus Day on Theatre for Social Change.

Theatre for Social Change at the Cultural Hub in Gugu S’Thebe, Langa

The first Focus Day to be held in Gugu S’Thebe Cultural Centre, in the township of Langa, was on the theme of Theatre for Social Change. What follows is a summary of the day,...

The Willow Pattern Tale

This Production of The Willow Pattern Tale was created by Jill Joubert, Founding Member of the Handspring Puppet Company. In the Performance, Jill uses beautiful wooden puppets to unravel the myth of the Earth's...

The Opening Ceremony at the Cradle of Creativity

Wednesday, 17th May, 2017 marked the official start of the 19th ASSITEJ World Congress and International Theatre Festival for Children and Young People, held in Cape Town, South Africa. Delegates from all over the world...

Chatting with Asanda Rilityana and Emmanuel Ntsamba

AR: My name is Asanda Rilityana and I was one of the first to graduate. I graduated in 2011. Or 10? Between those years. It was a long time ago! EN: And my name is...