Sensory Performance Practice Part One: Where We Are And Where We’re Not

I was extremely excited about this symposium. Entitled, “Sensorial Practices in Performing Arts for Babies and Neuro-diverse Audiences - A Critical Perspective”, it was run by Dalijia Acin Thelander and Ellie Griffiths...

Lwanda Sindaphi Reflects

LS: My name is Lwanda Sindaphi. I’m from Delft. I am artistic director of Lingua Franca Spoken Word Movement. I graduated in Magnet Theatre in 2013. LS: I’ve been doing a lot of things ...

Little Sparrows Flying at Baxter

Sparrow is a wonderful, sweet performance for the Early Years by Teater Fot (Norway), directed by Lise Hovik. It follows a little sparrow on its journey from the moment it hatches out of the egg. The piece encourages children to...

Walls

In 1989, the people of the German Democratic Republic imagined a new and different future. They demonstrated against a political system that had suppressed its people and denied them basic human rights....

Catalina Villanueva and Carmel O’Sullivan: Challenging distances: Navigating the waters of critical pedagogy in...

Drama’s potential for critical pedagogy has been explored in recent years (Freebody & Finneran, 2013; O’Connor, 2013), but seldom in Latin American settings. This case study analyses the experiences of Chilean teachers when learning...
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Reactions to Research on Trauma & Theatre for Young Audiences

Keep scrolling down for more about the papers at this session, which was presented at the conference of the International Theatre for Young Audiences Research Network (ITYARN) that took place in Kristiansand...

The ‘Our Story, Your Story’ Project

Clowns Without Borders South Africa (CWBSA), an artist-led humanitarian organisation, arrived in George (South Africa) in early May 2017 to facilitate the final component of their 'Our Story, Your Story' (OSYS) project in local Primary...

Interviewing Nwabisa Plaatjie

Nwabisa Plaatjie was not on the Full-Time Training Programme, but joined Magnet Theatre on their Theatre Making internship programme. Here she shares some of her experiences: NP: My name is Nwabisa Plaatjie. I’m from Ugie, Eastern...
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Audience Reactions to Peer Gynt – Theatre Concert

Audience members and delegates of the ASSITEJ Artistic Gathering 2019 react to Peer Gynt - Theatre Concert by Kilden Teater and Kristiansand Symphony Orchestra (directed by Amalie Nilssen, conducted by Per Kristian...

Education and theatres: innovation, outreach and success

The panel will critically consider the intersection between theatre companies and their work in various communities. While many theatre companies have a long and proud tradition of outreach in the community, there has been little critical and academic attention directed to...