Engaging Teenage Audiences
As part of the Focus Day on Theatre by Children for Children, held at Vrygrond Cultural Hub on Saturday, 21st May, 2017, Cristina Cazzola held a workshop entitled, Tips and tricks for engagement of teens...
Africa Day – A Cradle Celebration
May 25th marked the annual celebration of Africa Day and, despite the rest of the Cradle of Creativity being in full swing, many delegates still found the time to enjoy a day of entertainment that showcased...
Michael Finneran: Distance and tyranny: Understanding drama, democracy & politics
Drama claims a unique relationship with democracy, politics and citizenship. We assert it as our birthright: borne from the ancient Greeks to Brecht; from Boal to Dario Fo. How sustainable is the claim? How...
Faces of the ASSITEJ Artistic Gathering 2019
At the ASSITEJ Artistic Gathering 2019, the Dialogue team were lucky enough to interview some of the delegates. You can find links to all of their interviews below:
Norwegian Wood: How to Navigate the Norwegian TYA Forest
If the first part of that title made you bop your head to the tune of The Beatles song, you would be forgiven - for I fell for the same reference! And...
A Platform for “Local Talent and Local Stories”
Having received training from the Clowns Without Borders South Africa team, four young facilitators from The Seven Passes Initiative visited nine local schools, in the final part of the ‘Our Story, Your Story’ project.
Having...
Claire French: Towards translingual praxis: departures from monolingual facilitation
This paper presents interdisciplinary research that draws from discourse in sociolinguistics to problematise uncritical language-based paradigms inherited by facilitators of applied performance praxis, focusing on the monolingual orientation. I use recent multilingual South African...
Fingers, Toes and Happy Toddlers
Nicola Elliot’s Fingers And Toes, My Body Knows was an exciting addition to the programme for Early Years at the Cradle of Creativity.
With the audience each being given a cushion upon entry into the...
‘Animal Farm’ – Audience Reactions
After watching a Performance of Johannesburg, South Africa’s Shakexperience’s adaption of George Orwell’s Animal Farm, directed by Neil Coppen, I asked Schoolchildren and their Teachers for their reactions to the piece. The wealth of...
Lights, Camera, Action: Lighting and Colours in Theatre for Young Audiences
The following series of photographs highlight the unique use of stage lighting in two performances of Theatre for Babies.
Soro et le grain de maïs magique (trans. Soro and the magic grain), directed by Déborah...