Documentation and Resources

IDIERI 9 entered its third day on a particularly cold winter's morning. With a plethora of exciting workshops, papers, and panels, the day saw a lot of pertinent provocations. https://twitter.com/selinabusby/status/1014270762289639425 https://twitter.com/gaenor22/status/1014247037099864064 https://twitter.com/ginippi/status/1014303664213667841 https://twitter.com/jendibella/status/1014285474163068928 https://twitter.com/playfulpedagogy/status/1014334353277517824 https://twitter.com/Imagine_A_Day/status/1014404376054489088 https://twitter.com/cfrenchtweeting/status/1014417643283992576 https://twitter.com/ginippi/status/1014427985028395009  

Bob Marley visited the Pacific in 1979 with the Babylon by Bus tour. His influence, through his music, is still felt throughout Oceania as local musicians and audiences have adopted Reggae as an Oceanian...

Myrto Papoulia and Tegan Arazny sat down with Dr Jamie McLaren Lachman, Founder & Executive Director of Clowns Without Borders South Africa, on Wednesday, 21st June 2017. You can watch the full video (52 minutes)...

As a part of the Cradle of Creativity's Focus Day on Music Theatre for Young Audiences, Tina Stodart delivered a Pecha Kucha about her work in Potchefstroom, South Africa. In the following interview (6 minutes), she speaks about using...

Described as a piece which "gives resonance to the complexities of bi-racial relationships", Barrowland Ballet's production of Whiteout (choreographed by Natasha Gilmore), exploded onto the stage with distorted music and movement. The Dancers began the performance clouded in...

NG: My name is Natasha Gana. I was a trainee, 2014-15. TH: Hello, my name is Tina Hashe and I was a Magnet trainee, 2014-15. ZM: Hello, I’m Zimkhita Mzimba I’m a Magnet Theatre graduate,...

Jacques Rancière suggests to us that the process of including excluded people has to do with change of perception, a new "distribution of the sensible." Distance emerges between people by a process of categorization...

As part of the ASSITEJ Cradle of Creativity, Magnet Theatre hosted the 'Rocking the Cradle' event from 24th to 26th May, 2017. This was an opportunity for ASSITEJ delegates and local audiences to engage with African and...

Magnet Theatre's Full-Time Training and Job Creation Programme is a 2-year programme for “youth who for one reason or another struggle to be absorbed into the training at the University”. The programme aims “to bridge the divide...

Yannick Boudeau has been the General Manager and Producer at Compagnie la Casquette, a Theatre for Young Audience in Brussels, since 2007. Co-founding ASSITEJ Belgium in 2014, he has been the Chairman...