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Matthew Decoursey: Boal, Bolton and Philosophy on Changes of Perception

Jacques Rancière suggests to us that the process of including excluded people has to do with change of perception, a new "distribution of the sensible." Distance emerges between people by a process of categorization...

Matt Omasta and Elizabeth Murray: Assessment in Elementary Drama Education

This study articulates U.S. elementary (primary) school drama specialists’ / teachers’ perceptions of assessment as a component of education and documents assessment processes and procedures in drama classrooms. Through a series of qualitative interviews...

Carol Carter, Richard Sallis and Warren Nebe: Investigating the role of drama in the...

There have been research contributions identifying the efficacy of drama as a method of teaching and learning and for the creation of dialogical spaces. However, these contributions have not been within the field of...

Christine Hatton: Drama as a ‘pedagogy of connection’: crossing epistemological and relational boundaries through...

This paper will explore the use of Heathcote’s rolling role system in a series of drama teaching and research projects which aimed to connect different educational sites, participants and disciplines in shared drama processes....

Alison O’Grady: Human Rights and Critical Consciousness For Personal Practice

Hath not a Jew hands, organs, dimensions, senses, affections, passions?... If you prick us, do we not bleed? The Merchant of Venice – Shakespeare Act 3, scene 1 How do we learn to be human...

Wan-Jung Wang: Combating Climate Change and Bridging the Distance Through Community-based Musical Praxes in...

Distances are created by geographical locations, ideological cultural construction and social classes, race, nationalities and gender. Facing the drastic climate change and continuous natural disasters brought by typhoons, flood as well as Tsunami and...

Mary Ann Hunter: On wayfinding and a precarious politics of presence

Educators, artists, children, star-gazers. We/they/you trade in primacies of encounter and the arts of being present – to oneself, to others, and to belongings of practice, region, interest and culture. They/you/we revel in relationality, curiosity, affect, and...

Rachael Jacobs, Robyn Ewing, Juliana M. Saxton and Carole Miller: Embracing tyrannies?: Critical moments...

Assessment is often thought to be the enemy of creativity, with its tyrannical hold over teaching and learning, and its friends ‘quality assurance’ and ‘accountability’. Yet in educational spaces, drama assessment must take place....

Robin Pascoe and Peter Wright: Representation and authenticity in drama research

The ways that research is shared is often reductive, pseudo-scientific and may be missing the richness of lived experience. While experience is always embodied as researchers we work to be less removed from the...

Dorothy Morrissey: Dramatic performance as pedagogy in initial teacher education

This paper focuses on the use of dramatic performance as pedagogy in an elective module in drama education, located in the final semester of a four-year initial teacher education programme in Ireland. The paper...