Performance Highlights from IDIERI 9
The Attitudes
“I try to explore in my body and voice difference modes of white resistance to challenges about power and privilege.
The physicality of the showing is inspired by 18th century writings and interpretations...
Exploring Techniques and Practices from the IDIERI 9 Workshops (Part 3)
Delegates at the 9th International Drama in Education Research Institute were treated to an abundance of exciting and engaging practical workshops during the 7-day event. To give you a flavour of what was on offer, the Dialogue team...
Exploring Techniques and Practices from the IDIERI 9 Workshops (Part 5)
Delegates at the 9th International Drama in Education Research Institute were treated to an abundance of exciting and engaging practical workshops during the 7-day event. To give you a flavour of what was on offer, the Dialogue team...
Diversity of Practice at IDIERI 9
One of the great privileges of documenting conferences such as the International Drama in Education Research Institute is being able to partake in diverse practical workshop sessions. On Day 2 of the 7-day event,...
Heads Held High – A Podcast
On Tuesday 3rd July 2018, delegates of the International Drama in Education Research Institute were treated to a performance of Heads Held High, a production by Black Friars that brought together 60 young leaders from 9 South Auckland schools...
IDIERI 9: Day 7 Twitter Roundup
The last day of 9th International Drama in Education Research Institute was no less exciting than those that came before it - with some excellent presentations, a vote on the host city for the next IDIERI,...
IDIERI 9: Day 6 Twitter Roundup
The penultimate day of the 9th International Drama in Education Research Institute was jam-packed with concurrent sessions - papers, panels, and workshops. Keep reading for a summary of the tweets from the day.
https://twitter.com/cfrenchtweeting/status/1015356825305149440
https://twitter.com/ginippi/status/1015362438122704896
https://twitter.com/talulahcortes/status/1015377436324720640
https://twitter.com/c_and_t/status/1015381828407001088
https://twitter.com/c_and_t/status/1015382790697816076
https://twitter.com/selinabusby/status/1015391474136109056
https://twitter.com/adelina_ong/status/1015554778548469760
https://twitter.com/jendibella/status/1015431562005901312
https://twitter.com/DramaResearch/status/1015443372473892865
https://twitter.com/DramaResearch/status/1015455293193351168
https://twitter.com/thepollstar/status/1015574667069874182
Alison O’Grady: Human Rights and Critical Consciousness For Personal Practice
Hath not a Jew hands, organs, dimensions, senses, affections, passions?... If you prick us, do we not bleed? The Merchant of Venice – Shakespeare Act 3, scene 1
How do we learn to be human...
Kelly Freebody: Distance through critique: Moving beyond the ‘common-sense’ of drama for social change
This paper urges us to use a critical lens to distance ourselves from common-sense understandings of what we do and why. It unpacks key logics in our field – including participation, community, social justice,...
Book Launch at IDIERI 9
The 2nd day of the 9th International Drama in Education Research Institute saw an evening book launch at the official event pub, The Leaky Boat. The book launch event was supported by RiDE: The...
















