Rocking the Cradle at Magnet Theatre
As part of the ASSITEJ Cradle of Creativity, Magnet Theatre hosted the 'Rocking the Cradle' event from 24th to 26th May, 2017. This was an opportunity for ASSITEJ delegates and local audiences to engage with African and...
Alison O’Grady: Human Rights and Critical Consciousness For Personal Practice
Hath not a Jew hands, organs, dimensions, senses, affections, passions?... If you prick us, do we not bleed? The Merchant of Venice – Shakespeare Act 3, scene 1
How do we learn to be human...
John O’Toole: In here or out there? Investigating the opportunities and challenges of establishing...
This presentation will describe preliminary progress on, and invite contribution to, an informal research project intending to examine and compare how different national and cultural contexts have shaped or affected drama’s relationship with formal...
Finding Magic at the Baxter Theatre!
The following photo essay explores the wonders of three Performances that were staged at the University of Cape Town's Baxter Theatre on Friday, 19th May, 2017: Korean Story Theatre: Story Silkroad (Korea National University...
The Perfect Balance with Toomas Tross
"Sometimes it's not the number that's important, or the trick that's important: for the audience, it's why you are in front of them. I believe, I...
Safe Place
The Safe Place Festival believes that every child deserves access to cultural opportunities to expand their minds and to include them in society at large. The goal of the Safe Place initiative...
Rachael Jacobs, Robyn Ewing, Juliana M. Saxton and Carole Miller: Embracing tyrannies?: Critical moments...
Assessment is often thought to be the enemy of creativity, with its tyrannical hold over teaching and learning, and its friends ‘quality assurance’ and ‘accountability’. Yet in educational spaces, drama assessment must take place....
Alexandra Lodge: Script-Down Script Development: Deaf Gain and Physical Dramaturgy in Aotearoa
This paper will discuss the development of my creative practice of Takitoru Dramaturgy. The practice originated in my doctoral research: the development of a trilingual play script for Te Reo Māori, New Zealand Sign...
Matthew Decoursey: Boal, Bolton and Philosophy on Changes of Perception
Jacques Rancière suggests to us that the process of including excluded people has to do with change of perception, a new "distribution of the sensible." Distance emerges between people by a process of categorization...
Eivind Haugland & Louis Valente Discuss Theatre for Young Audiences – Faces of the ASSITEJ...
Eivind Haugland is a Dramaturg, Essayist, and Translator currently working at the Badisches Staatstheater in Karlsruhe. He holds a Master Degree in Drama and Theatre from NTNU in Trondheim and a Master’s...