Playing a Child as an Adult

In this roundtable, that was subsequently followed by a workshop, Isabelle Verlaine (from Belgium), allowed us to delve into the complex question of how an adult Actor can play a child effectively....

The Hope and Future of Theatre for Young People

Theatre is more important than ever. Dr Ekua Ekumah, the Keynote Speaker for Tuesday’s opening address of the ITYARN (International Theatre for Young Audiences Research Network) Conference, began by speaking of the importance of staging Theatre...
LED lights are set up around the front of the stage. These are the main sources of lighting used throughout the Performance. There are no other lights rigged in the Theatre.

Lights, Camera, Action: Lighting and Colours in Theatre for Young Audiences

The following series of photographs highlight the unique use of stage lighting in two performances of Theatre for Babies. Soro et le grain de maïs magique (trans. Soro and the magic grain), directed by Déborah...
Underground Library

Transformative Theatre

The South African production, The Underground Library (written by Jon Keevy and directed by Koleka Putuma), was a strong and exciting ensemble piece with an action-packed narrative that kept me on the edge of my...

Drama & Maths Education: Crossing the River

The Cradle of Creativity’s Focus Day on Theatre as Education saw an interactive, energetic and embodied Maths lesson take place in the afternoon. Professor Kennedy Chinyowa (Tshwane University of Technology, South Africa) and Selloane Mokuku...

Rachael Jacobs, Robyn Ewing, Juliana M. Saxton and Carole Miller: Embracing tyrannies?: Critical moments...

Assessment is often thought to be the enemy of creativity, with its tyrannical hold over teaching and learning, and its friends ‘quality assurance’ and ‘accountability’. Yet in educational spaces, drama assessment must take place....

Performance Highlights from IDIERI 9

The Attitudes “I try to explore in my body and voice difference modes of white resistance to challenges about power and privilege. The physicality of the showing is inspired by 18th century writings and interpretations...

Safe Place

The Safe Place Festival believes that every child deserves access to cultural opportunities to expand their minds and to include them in society at large. The goal of the Safe Place initiative...

Mother Africa – A Soundscape

Mother Africa & Her Melodies (dir. Lulu Tsheola) is a one-hander play told by multi-instrumentalist and well-traveled musician and instrument collector Volley Nchabeleng. The indigenous musical show infuses a variety of...
John Namai, a Storyteller from Kenya, facilitates a workshop at Cradle of Creativity on the Art of Sigana Storytelling

Reviving the Art of Storytelling

Storytelling can be traced back through the ages. Prior to written text and literature, communication of stories, traditions, customs and values was often through the oral traditions of voice and song. Yet, despite the...